9/16/2023 0 Comments Rhetorical fragment definition![]() ![]() (Winston Weathers, An Alternate Style: Options in Composition. "The general idea of unrelatedness present in crot writing suggests correspondence-for those who seek it-with the fragmentation and even egalitarianism of contemporary experience, wherein the events personalities, places of life have no particular superior or inferior status to dictate priorities of presentation." The crot is essentially the 'note' left free of verbal ties with other surrounding notes. "The provenance of the crot may well be in the writer's 'note' itself-in the research note, in the sentence or two one jots down to record a moment or an idea or to describe a person or place. 'As each crot breaks off,' Tom Wolfe says, 'it tends to make one's mind search for some point that must have just been made- presque vu!-almost seen! In the hands of a writer who really understands the device, it will have you making crazy leaps of logic, leaps you never dreamed of before.' "In its most intense form, the crot is characterized by a certain abruptness in its termination. Winston Weathers and Tom Wolfe on Crots.One red mitten lying lost under a poplar tree.Īn airplane, very bright and distant, slowly moving through the branches of a sycamore." Many birds calling to each other about how little the Ramble has changed. Many solitary men throwing snowballs at tree trunks. Two showgirls, whose faces had not yet thawed the frost of their makeup, treading indignantly through the slush.Ī plump old man saying 'Chick, chick' and feeding peanuts to squirrels. The Presidential automobile runs over a dog. Four senators get drunk and try to neck a lady politician built like an overloaded tramp steamer. "Twenty million voters with IQs below 60 have their ears glued to the radio it takes four days' hard work to concoct a speech without a sensible word in it. (Dorothy Sayers, Murder Must Advertise, 1933) Vote for Punkin and Protect your Profits. Snagsbury's Soups are Best for the Troops. Children love Laxamalt. Prepare to meet thy God. Eat more Oats. Take Care of your Complexion. Pressing downward: their power in their weight." The new Africans, pot-bellied, heavy-jowled men on their stools of office: Cetshwayo, Dingane in white skins. Plotting against each other too: slow peasant plots that take decades to mature. ![]() Heavy eyelids, piggish eyes, shrewd with the shrewdness of generations of peasants. Sitting in a circle, debating ponderously, issuing degrees like hammer blows: death, death, death. Eating and talking, munching lives, belching. "What absorbs them is power and the stupor of power. (Alfred Jingle in Charles Dickens, The Pickwick Papers, 1837) "'Ah! fine place,' said the stranger, 'glorious pile - frowning walls - tottering arches - dark nooks - crumbling staircases - Old cathedral too - earthy smell - pilgrims' feet worn away the old steps - little Saxon doors - confessionals like money-takers' boxes at theatres - queer customers those monks - Popes, and Lord Treasurers, and all sorts of old fellows, with great red faces, and broken noses, turning up every day - buff jerkins too - matchlocks - Sarcophagus - fine place - old legends too - strange stories: capital' and the stranger continued to soliloquize until they reached the Bull Inn, in the High Street, where the coach stopped." (Mark Hellinger, "New Year's Eve on Broadway." Moon Over Broadway, 1931) Bad booze putting hics into hicks and bills into tills. ![]()
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